Catalog (344)

Antique Korean Coin Chest, Donkwe. 11h x 24w x 12.5d, 28h x 61w x 32d m. Coin chests are highly prized by collectors of Korean antiques. Paper money did not exist in Joseon Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large, heavy quantities to have any worth, so a strong money box was a necessity. Mattie Ingold, an American missionary physician who worked in Jeonju, wrote: "If Korean money were proportionately as great in value as it is in weight and clumsiness, the Koreans would be a very wealthy people."

Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Calligraphy has been the most revered field of art throughout Korean history. Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurative munjado calligraphy. 38.5 x 28.5 inches, 98 x 72.5 cm.

Fine 19th Century Korean Royal Court Painting of Children at Play. This genre of Korean paintings always displays children playing in imaginary Chinese court costumes, and is called Baekdongja-do in Korean. From the ground-breaking Auspicious Spirits, Korean Folk Paintings exhibition catalogue: "Depicting the children as court nobility expressed an auspicious desire that one's own children achieve success in life." This exceptional example was displayed in the room of a wife in the Korean royal court to inspire her to become pregnant and to have healthy, playful, and successful children. It was also displayed on the first birthday of each child. Ink and colors on silk. 40 x 14.5 inches, 101.5 x 37 cm.

Rare Pair of Boxes for Storing a Scholar's Name Seals, with Lovely Wood Grain and Metalwork. A scholar's name seals were among his most personal and treasured items. 6h x 5w x 5d inches, 15h x 12.5w x 12.5d cm.

Rare, Museum Quality 19th Century Medicine Chest (Yakjang) with Paulownia Doors. This is the finest work of Korean antique furniture we have ever offered, and likely the only example of this type anywhere outside of Korea. Antique medicine chests with doors are extremely rare even in Korea, and this is probably the best known condition among the very few left. Each drawer has the name of the medicine inscribed on it. Perfectly proportioned at 100 x 75 x 33 cm, 39.5 x 29.5 x 13 inches.

Rare and Sublime Nias Island Torque Necklace in a Classic Form made of graduated slices of Coconut Shell. Purchased by a renowned and published collector at Bonham's on May 15, 2008 (Lot 507, page 14 of the catalogue). More provenance information available upon request. 9.25 inches (23.5 cm)

Exquisite Painted Bronze Qing Dynasty Chinese Guan Yin Bodhisattva of Compassion. Height: 4.75 inches (12 cm). From an important and published collection. Provenance available upon request.

Red Lacquered Safe with Beautiful Metalwork with auspicious symbols: a tortoise lock (symbol of longevity),peach drawer pulls (a symbol of longevity), the diamond-shaped Seven Treasures symbol, floral scrolls throughout, and the wan (the wheel of life and symbol of universal peace and harmony) is a symbol so ancient it actually predates Buddhism and originally represented the revolving sun. In Buddhism it represents the Heart of the Buddha, happiness, and resignation of spirit. 14.5d x 10w x 11h inches, 37d x 15.5w x 28h cm.

Beautiful and Rare 19th Century Korean Elm Wood Document Box from Gyeongsangnam-do, with a patina and grain of gorgeous color and texture and lovely floral metalwork with plum blossoms (a symbol of courage because the plum blossoms early, before winter is quite finished) and chrysanthemum (a symbol of plenty or fertility because of its many petals). For a similar example, see page 69 of Traditional Korean Furniture by Man Sill Pai and Edward Reynolds Wright. 13 x 13 x 7.5 inches, 33 x 33 x 19 cm.

Rare Work of Munjado Calligraphy by Kim Ki Chang aka Unbo (1913 - 2001). Calligraphy has been the most revered field of art throughout Korean history. Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. In this original signed offset print, Unbo gives us a dynamic rendering of the ancient style of figurative munjado calligraphy. The bird leaping out of the center character adds powerful life to the piece. 25.5 x 19.5 inches, 65 x 50 cm.

Contemplative calligraphy: Music, Writing, and Books by Lee Nam Ho aka Geum Choo (1908-2001). Lee Nam Ho is renowned as a painter. This is a rare and fine example of his calligraphy. Calligraphy has been the most revered field of art throughout Korean history. 51 x 13.5 inches, 129 x 34 cm.

Meditative calligraphy: Empty Your Heart and Mind by Lee Nam Ho aka Geum Choo (1908-2001). Lee Nam Ho is renowned as a painter. This is a rare and fine example of his calligraphy. Calligraphy has been the most revered field of art throughout Korean history. 26 x 12 inches, 65.5 x 31 cm.

Rare and Important Work of Calligraphy by the man designated in every textbook in the East and West as the Pioneering Father of 20th Century Art in Korea, An Jung Sik (also spelled Ahn Jung Sik), 1861-1919 (pen name Simjeon), calligrapher, scholar, royal court painter (he painted the portraits of the last two kings of Korea), and co-founder of KOrea's first modern art school. Paintings by An Jung Sik are by law not allowed to leave Korea, so they are rare in the West. His works of calligraphy are even more rare. So it is with pride that we offer what may be the only An Jung Sik calligraphy ever offered for sale outside of Korea. Calligraphy is regarded as the highest art form throughout East Asia. An Jung Sik studied calligraphy in China and Korea, and helped establish the Seoul Calligraphy and Fine Arts School in 1911, and co-founded, along with O Se Chang, the Association of Painting and Calligraphy Artists in 1918. Kim Eun Ho, Yi Sang Beom, and Jang Seung Eop are just a few of his students who went on to fame as some of Korea's greatest artists. An Jung Sik himself studied under the man widely regarded as one of the most important 19th Century Korean artists, Jang Seung Eop (pen name Owon). This is a large piece at 61 x 22 inches, 155 x 56 cm. An Jung Sik's calligraphy is currently prominently featured in the Los Angeles County Museum of Art's exhibition on Korean calligraphy, Beyond Line: The Art of Korean Writing.

Standing Dharma by Korea's Renowned Buddhist Monk Painter Seok Jeong Sunim (1928-2012). This is an excellent example of why Seok Jeong is widely regarded as Korea's master of Zen Buddhist art. Dharma's body and robe is rendered in just four powerful and inspired brushstrokes. The calligraphy here is also masterful. Ink on paper. Mounted on a beautiful silk scroll. Silk Mount: 77.5 x 18 inches, 197 x 45.5 cm; Painting: 50 x 13 inches, 127 x 33 cm. The recent exhibition of Seok Jeong Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Seok Jeong Sunim's works of similar size and quality sold for multiples of the prices we are asking here. The fourth photo here shows a wall label from that exhibition with a price of $3500 for a similar Dharma painting. That painting is half the size of the Seok Jeong painting we are offering here.

Pair of Cranes Painting and Poem by Korean Buddhist Monk Su An Sunim (born 1940). The crane is a an ancient symbol of longevity and immortality. Because cranes were believed to stay with one mate for their lifetime, it is also a symbol of faithful love. When the crane is paired like this, the meanings of immortality and fidelity combine to mean eternal love. The flying-white brushwork and ink washes here display Su An Sunim's mastery of zen art at its best. The recent exhibition of Su An Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Su An Sunim's works of similar size and quality sold for multiples of the prices we are asking here. Ink and colors on paper. 27 x 14 inches, 69 x 35 cm. The second photo here shows a wall label from that exhibition with a price of $2000 for a similar painting. That painting is smaller than the Su An painting we are offering here.

Rare Two-sided Carved Image and Calligraphy on Light Zelkova Wood by the renowned Lee Nam Ho (1908-2001). Calligraphy has been the most revered field of art throughout Korean history. The calligraphy translates to "The Way of Zen". The exotic zelkova wood itself is a work of art, with its luxurious grain and vigorous form. Lee Nam Ho has shaped the wood into a striking work of art adorned with strong and expressive calligraphy strokes on one side, and a stunning image of a man in traditional attire and the mythical divine Girin beast. A contemplative and rich work of art. You will not find another like it. 24 x 18 inches, 61 x 45.5 cm. Ready-to-hang with an iron hook and ring already installed on the top. This will display nicely and make a beautiful statement in the home or office.

Extremely Rare Set of Three Mumun Pots from the 3rd Century BCE from the Koejongdong site in Daejon near the Geum River. A similar example from the National Museum of Korea can be seen in Plate 34 in The Prehistory of Korea by Kim Jeong-hak. Prehistoric Korean pottery is so scarce outside of museums, that this is the only time we have ever acquired any. According to Professor Choi Jong-taek of Korea University, these everted lipped pots with their distinctive color and texture date from the period in Korea when the Bronze Age was giving way to the Iron Age, and the Mumun pottery period was ending with these types of pots with a greater hardness and fired at a higher temperature than previous Mumun pots, that is, about 300 BCE. This was a brief but very important transitional period into higher technology and culture in Korea, from the the end of the Mumun Pottery Period to the beginning of the Iron Age, so pieces from this defining period are rare. This is a once-in-a-lifetime opportunity for a collector. Dimensions from tallest to shortest are: #1 - 4 inches height x 11.5 inches circumference (10 cm height x 29 cm circumference); #2 - 3.5 inches height x 14 inches circumference (9 cm height x 35.5 cm circumference); #3 - 3 inches height x 12.5 inches circumference (7.5 cm height x 32 cm circumference).

13th Century Korean Inlaid Celadon Cosmetic Box. The chrysanthemum's many petals is an ancient symbol of an abundant life or fertility. Encircled with a key fret thunder pattern and rolling clouds motif. A rare and gorgeous piece. 3.25 inches wide x 1.75 inches high; 8.25 cm wide x 4.5 cm high.